The Pillars of the Earth (The Pillars of the Earth, #1)
For the Movie tie-in edition with the same ISBNgo to this Alternate Cover Edition Ken Follett is known worldwide as the master of split-second suspense, but his most beloved and bestselling book tells the magnificent tale of a twelfth-century monk driven to do the seemingly impossible: build the greatest Gothic cathedral the world has ever known. Everything readers expect from Follett is here: intrigue, fast-paced action, and passionate romance. But what makes The Pillars of the Earth extraordinary is the time the twelfth century; the place feudal England; and the subject the building of a glorious cathedral. Follett has re-created the crude, flamboyant England of the Middle Ages in every detail. The vast forests, the walled towns, the castles, and the monasteries become a familiar landscape. Against this richly imagined and intricately interwoven backdrop, filled with the ravages of war and the rhythms of daily life, the master storyteller draws the reader irresistibly into the intertwined lives of his characters into their dreams, their labors, and their loves: Tom, the master builder; Aliena, the ravishingly beautiful noblewoman; Philip, the prior of Kingsbridge; Jack, the artist in stone; and Ellen, the woman of the forest who casts a terrifying curse. From humble stonemason to imperious monarch, each character is brought vividly to life.The building of the cathedral, with the almost eerie artistry of the unschooled stonemasons, is the center of the drama. Around the site of the construction, Follett weaves a story of betrayal, revenge, and love, which begins with the public hanging of an innocent man and ends with the humiliation of a king."At once a sensuous and endearing love story and an epic that shines with the fierce spirit of a passionate age, The Pillars of the Earth is without a doubt Ken Follett's masterpiece."

The Pillars of the Earth (The Pillars of the Earth, #1) Details

TitleThe Pillars of the Earth (The Pillars of the Earth, #1)
Author
FormatPaperback
LanguageEnglish
ReleaseFeb 4th, 2002
PublisherNAL Trade
ISBN0451207149
ISBN-139780451207142
Number of pages973 pages
Rating
GenreHistorical Fiction, Fiction, Historical

The Pillars of the Earth (The Pillars of the Earth, #1) Review

  • DeLaina
    August 28, 2008
    I devour books. That is my euphemism for being so OCD that I can't put it down and live my life until I finish it. For shorter books, that's generally not a problem, but for the 974 page Pillars of the Earth...well, let's just say we ran out of food, my children clung to my legs asking for food, and the floors did not get vacuumed for a good five days while I whittled away at this book.CLIFF HANGER: This book is not a cliff-hanger at the end of every chapter kind of book, which makes it easier t I devour books. That is my euphemism for being so OCD that I can't put it down and live my life until I finish it. For shorter books, that's generally not a problem, but for the 974 page Pillars of the Earth...well, let's just say we ran out of food, my children clung to my legs asking for food, and the floors did not get vacuumed for a good five days while I whittled away at this book.CLIFF HANGER: This book is not a cliff-hanger at the end of every chapter kind of book, which makes it easier to read it in multiple sittings. However, Follett does such a masterful job of character development, that I found myself wanting to know what was going to happen next whether the end of the chapter contained a cliffhanger ending or not.CHARACTER DEV'T: Each character is so beautifully defined and fleshed out, that they become almost real. I felt that I knew them personally, that I could accurately predict how they would react in different situations. None of them were 100% good or bad, just like in real life. Some priests were holy, others evil; some were rich people with big hearts, others with small minds and evil intentions; some poor farmers were judgmental, w/narrow-minded attitudes, others opened their doors to strangers.PLOT/PACE: Foreshadowing was a very powerful convention that Follett skillfully weaved in and out of every chapter. It gave subtle hints, but never so overt as to suggest that the reader may be an imbecile. Backstories meander and come to closure at such a nice pace, that it always feels like something is happening and things are being resolved, for better or for worse.THEMES: My favorite theme was that natural consequences followed the actions of the characters. (I'm still a bit out of sorts after reading the deus ex machina riddled Breaking Dawn, where all the natural consequences of three books worth of actions were completely erased-ugh.) There was a natural ebb and flow of triumph and misfortunes in Pillars of the Earth. Good things happened to bad people and bad things happened to good people, just like in real life. Follett does not try to save his characters from themselves, or from each other, and I enjoyed that very much.STRONG WOMEN: I absolutely adored the strong women in this book! What a joy to read about Aliena, carving out her own future after her world had been turned upside down! Life knocked her down plenty, but each time, she got up, made a plan, and triumphed eventually. Ellen, and Agnes in her own way, were also strong women. OVERALL IMPRESSION: As strange as it sounds, with all of the despair and misery that took place, the overarching take home for me, was HOPE. In the face of overwhelming adversity, these characters triumphed. The road was hard and the journey was long, but they CHOSE hope. They CHOSE faith. And in the end, that was all that mattered.Pillars of the Earth will be on my favorite books list for a very long time.
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  • Amanda
    August 30, 2009
    This book was popular? As in a mini-phenomenon? Seriously? Am I being punked? Tell the truth--no one else read the book. It was all an elaborate media/pop culture scheme to trick me into reading this book. Please lie to me about this. I'm not sure I can go on living if I have to believe that this is what my fellow man is reading these days.My utter disdain for the book comes from many a source:A) It's 900 pages. Mind you, I'll read 900 pages, even 1,500 pages, if it's amazing. But it has to be a This book was popular? As in a mini-phenomenon? Seriously? Am I being punked? Tell the truth--no one else read the book. It was all an elaborate media/pop culture scheme to trick me into reading this book. Please lie to me about this. I'm not sure I can go on living if I have to believe that this is what my fellow man is reading these days.My utter disdain for the book comes from many a source:A) It's 900 pages. Mind you, I'll read 900 pages, even 1,500 pages, if it's amazing. But it has to be a crackerjack of a book. This was not. B) Here's where this book and I really parted ways: Tom Builder's beloved wife, Agnes, dies in childbirth on the side of the road. Only hours later, Tom's rolling in the leaves with an attractive forest wench in a sex scene so ridiculous I could practically hear the "bow-chicka-wow-wow" music in the background. Poor Agnes' body isn't even cold yet and Tom's getting it on with a woman he had a 15 minute conversation with earlier in the book.C) It's hard to believe this is medieval England, what with all the modern sensibilities and modern vernacular. C) It could have been whittled down by about 500 pages if the scenes of people eating had been omitted.E) The women, oh, the women. Witches or whores or victims of tag team rape. Here's the basic rundown of the plot:--Building a church, building a church, building a church . . .--Oh, crap, a plot complication! We might not be able to build the church.--Crafty Phillip overcomes the complication.--Insert licentious sex scene.--Building a church, building a church, building a church . . . --Oh, crap, a plot complication! We might not be able to build the church.--Crafty Phillip overcomes the complication.--Now insert gratuitous sex scene.Lather. Rinse. Repeat. For 900 pages.Cross posted at This Insignificant Cinder
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  • Francine
    December 27, 2007
    I did not hate this book (hate would be too strong a word, and I can't hate it because I applaud the fact that Ken Follett attempted to write an epic novel). But I did not like it. I didn't like it from the start; his writing style hit me like a brick, but Jim thoroughly enjoyed the book that I kept trying to convince myself that I ought to give it a chance, hoping it would get better. When I was about 500 pages in, he saw how miserable I was and asked why I didn't just stop reading it, but at t I did not hate this book (hate would be too strong a word, and I can't hate it because I applaud the fact that Ken Follett attempted to write an epic novel). But I did not like it. I didn't like it from the start; his writing style hit me like a brick, but Jim thoroughly enjoyed the book that I kept trying to convince myself that I ought to give it a chance, hoping it would get better. When I was about 500 pages in, he saw how miserable I was and asked why I didn't just stop reading it, but at that point, I was invested in it; I had spent all that time getting that far, that I needed to finish it, and I couldn't wait to come to the end. I kept counting down: "Only 450 pages left; only 300 to go; last 200 pages...yay, I have 50 pages left!" Those fifty pages were the toughest to get through. By the time I was at the end, I thought it was a wasted effort - both on his part and mine. It's so much easier to explicate on what I did not like because there were so many things: - I loathed the writing style (he vacillated between pages and pages of highly complex architectural discourses to third-grade level simple sentences grouped into short paragraphs). Sometimes it was bearable. Other times, I wanted to pull my hair out. There were times when I felt the only time he came alive as an author was when he was discussing architecture, but these parts were so didactic in nature that it couldn't hold my interest for long periods of time.- I did not like the author's narrative style. He had to tie everything together (causality was so prevalent throughout the text that I wondered how he didn't work in how the killing of a fly affected events 60 years later). Every single storyline was wrapped up - too neatly for my liking, in some cases. Everyone was tied to someone else (it was like playing Six Degrees); every single character had to have a denouement; every little plot twist had to be explained; closure had to be achieved, no matter how preposterous the circumstances, over time and space.- The characterization was poor. In fact, it was appalling how two-dimensional these characters were. Good people were good. Bad people were loathsome. As time went on, the good were always suffering one thing or another; they were put upon; they were harrassed; they were constantly challenged and put to the test like Job (something Follett actually used as a sermon!). The badfolk became more oppressive over time; they were not only detestable, but they had absolutely no redeeming qualities. And to go with a typical medieval stereotype, the good were always excessively beautiful, honorable, intelligent (geniuses or savants, even!) - and if they weren't rich, they would be at the end (I half expected Havelok the Dane and his refrigerator mouth to pop up somewhere, proving once and for all that in the medieval period, to be good was to have the purest light shining out of your mouth each time you opened it). Nevertheless, the bad became uglier, became more despotic, scheming throughout life to get the better of their enemies (the goodfolk). But in the end, good always triumphed over evil; those who could, repented and were forgiven. Those who couldn't, were killed off somehow, because apparently, death is the only way an evil person gets his (or her) dues. And then everyone had a happy ending. I hate happy endings when they're so obviously contrived. And this work was so elaborately, exhaustively, thoroughly contrived. (Maybe it's not too late for me to change my mind and say I hated it. *grin*)- Historically speaking, there was so much left to be desired. Granted, this novel was written two decades ago, and there have been new discoveries about the medieval period since Follett started his research. But he got it all wrong anyhow. His idea of medieval life was so...off, that it hurt my head to continue reading sometimes. I had to pause periodically and rant to Jim about what I currently found off-putting (for example, there weren't many literate people at the time; at the time this novel was set, there was still a distinct divide between England and Wales; reading and writing were two separate skill sets, and people who knew how to read did not necessarily know how to write and vice versa; orality was a prevalent part of storytelling back then and books not so much and yet somehow, he conflated much of both; manuscript writing was either orally dictated or copied tediously by the monks - his concept of a scriptorium was incomplete, defective - and there has been so much written about this that it saddened me; he used modern translations of medieval poetical/verse works and couldn't explain even alliterative verse form effectively - I even wonder if he knew what it was; his understanding of the languages of the period - Old English, Middle English, Latin, Norman French, Old French, Middle French, etc. - and what was spoken by the aristocrats vs. the peasants vs. the growing middle classes disgusts me; he showed a lack of understanding of medieval law, medieval rights, the social classes, gender roles, even the tales and legends of the period, in both England and France; priests were quite low on the totem pole, in terms of the religious hierarchy, and were quite disparaged yet somehow, that didn't quite come across in this novel...I could go on and on, but I won't). And the historical part of the novel I just found lacking. There are enough histories and chronicles, contemporaneously written, of the time, that he did not have to deviate much from history. There is so much written about the period between the death of Henry I through the civil wars between the Empress Matilda and King Stephen, to the time that Henry II ascended the throne (including the martyrdom of Thomas a Beckett), that I don't quite understand how he couldn't have mined the chronicles for better material. I understand that this is why it's called historical fiction, and that there will always be some element of fiction interspersed with historical fact. But the fictional aspects usually have to do with surrounding characters and situations that bolster the history. The fiction is not necessarily to the history itself. Many times, when writing historical fiction, the author has to beware the pitfalls of creating a revisionist retelling, interspersing his or her own ideals or beliefs of what should have been to what was. If this novel had been marketed as a revisionary narrative, it would have been okay. But it wasn't. I'm just glad that the historical aspect of the novel just served as the background and not the real story. Because then, I probably would've stopped reading.The premise was a good one and held a lot of promise. It could've been a great historical epic had it been handled by a more assured writer. By someone who was more of a visionary, someone who had the patience to do exhaustive research or who knew how to craft richly developed characters. It needed an author who understood the epic genre, who knew how to mold the epic, who knew how to keep the narrative going, seemlessly binding time with narration and the human condition, without resorting to stereotypes and grating drama. And most importantly, it needed someone who understood when the story had been told; that while there will always be other stories to tell, that each book has its own natural end, and that these stories may not belong in this book.Ken Follett may be a bestselling author of suspense novels (and even historical fiction such as Pillars of the Earth and World without End), but he is no writer of epics. Compared to writers of historical fiction such as Edward Rutherford, James Michener, Bernard Cornwell or Margaret George, Ken Follett has a long way to go.
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  • amelia
    November 18, 2007
    This is seriously one of the worst books I've ever read. The only reason I finished the book is because I cannot put a book down once I start.The writing is terrible. The plotting may be dramatic, but I had almost zero interest in any of the characters; they seem to exist merely for events to happen to them, like actors in a disaster movie. Beyond that there seemed to be three characters in the book: Bad guy, good guy, and good victimized-yet-able-to -overcome girl.What got me most was: Ken Foll This is seriously one of the worst books I've ever read. The only reason I finished the book is because I cannot put a book down once I start.The writing is terrible. The plotting may be dramatic, but I had almost zero interest in any of the characters; they seem to exist merely for events to happen to them, like actors in a disaster movie. Beyond that there seemed to be three characters in the book: Bad guy, good guy, and good victimized-yet-able-to -overcome girl.What got me most was: Ken Follett seemed so proud of his historical research that he mentions every 40 pages, "_____ took out his/her eating knife" Really, they didn't have forks, how is constantly reminding the audience of this fact important to the story? There were other oft repeated throughout the novel as well. This seemed like an attempt to fool the audience into thinking they're immersed in the middle ages, when the rest of the book could have taken place anywhere in time. One fact does not a novel make (unless it's a really clever fact.) The bad characters keeping the amazing building from completion felt like a fountainhead rip-off, but that might just be me.On the positive (?) side the book is an extremely easy read, I might have enjoyed it more were I laying in the sun half drunk on something sweet and rum-filled. Violent sex too if that sort of thing titillates you.Thank you "Wait Wait" for warning me of Oprah's evil plan, if I can save one person from reading this book my work will done.
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  • Bookdragon Sean
    January 17, 2014
    This book was so completely fantastic that I almost forgot the outside world existed when I was reading it. I’ve never be so emotionally invested in a story, as I was with this. It’s a rare book that does this to me. I think it’s because it follows the characters through such a large proportion of their lives, resulting in a large amount of intimacy and investment with them. Indeed, this novel spans a massive period of forty years and has 1000+ pages; this is no light reading; it is deep, emotiv This book was so completely fantastic that I almost forgot the outside world existed when I was reading it. I’ve never be so emotionally invested in a story, as I was with this. It’s a rare book that does this to me. I think it’s because it follows the characters through such a large proportion of their lives, resulting in a large amount of intimacy and investment with them. Indeed, this novel spans a massive period of forty years and has 1000+ pages; this is no light reading; it is deep, emotive and completely brilliant. The intense story So much happens within this novel. It’s impossible to lay it down in a brief summary; these characters, quite literally, go through hell. Such is the life of commoners in the period. They are good folk, and are just trying to erect a church for the betterment of their town. However, the corruptness of the local nobility, and the church hierarchy itself, almost prevents them from achieving their aim. Prior Phillip and Jack the Builder are forced to seek out the aid from their monarch, but because of the turmoil of the civil war, this monarch keeps changing. They have a choice of two royal courts to appeal to. Both are convinced they have the legitimate claim to England’s throne. Picking the wrong side would lead to the ultimate ruination of a folk that simply want to live in peace, and celebrate God’s glory on earth. Well, this is the mere surface level of the plot. This book is so much beyond it. It is a story of betrayal and seduction; it is a story of love and hardship; it is a story of human nature and the all-encompassing morals that imposes. It is just fantastic in every sense. The characters are real, and their hardships are even realer. These are truly some of the most human characters I‘ve ever read about; these people could have existed.This is no less true for the villains of the book, William Hamleigh in particular is characterised superbly. For all his ruthless aggression, and sense of entitlement, he’s still a coward at heart. He’d never admit it to anyone, but the reader knows of what he is; the reader can see his blackening yellow heart. He is a product of society, and his parent’s ruthless ambition. He doesn’t deserve sympathy because of this, but the reason why he is the man he is can be seen by looking at his origins. His parents ruined him; he has no restraint; he has nobody to tell him no. So, to his mind, he can get away with anything. He even has a Bishop who will gladly absolve all his sins. He’s actions have no consequences; he can murder and rape without feeling the consequences. This is an incredibly dangerous mind-set, and one that almost destroys the protagonists of the book. He's a nasty man. The strength of the church Follet also weighs the potential power of the church. I love the way he contrasts godly Prior Phillip with the twisted Bishop Waleran. It shows us two routes the church could take; it shows us two possibilities for God’s monument on Earth. Prior Phillip is everything the church should be; he is kind and forgiving; he is benevolent and just: he is a true believer of Christ’s teachings. He is in the church for the simple reason that he is a man of faith. Contrastingly, Bishop Waleran is a tyrannical despot. He represents evryhting the church shouldn’t be; he is the personification of its potential evil. The Bishop is vain, greedy and ambitious. In this his will is his own; he is completely self-serving. He abuses his power to meet his own ends and self-aggrandisement. So, he is slightly corrupt. He’s only in the church for its political power and rewards. In this, he is not a true believer of his own faith. By contrasting these two characters Follet demonstrates how the church has the power to do great good and also great evil. This, for me, is quite a strong message to take from the book because it shows us the dividing nature of man, of life, of good and evil; it shows us that all things can be benevolent or terrible. It also hints at redemption. If something is this bad, it can be made into something good once more; it has the potential to be as it should be in the right hands. I do love this story. It shows that if people can come together, to achieve something greater than themselves then humanity is not lost despite the backdrop of war, corruptness and general chaos. Jack begins the novel as a mute boy with little human socialisation. At the end of the novel he is a respected builder and farther of the town. He is the anchor of Follet’s story telling. Everything centres on Jack, and his family history. His narrative questions the restraints the common man lived under in the period; it highlights the injustice the legal system exerted in the time. He cannot marry his love without a written divorce from his horrible step-brother who’d sooner see him live in misery than have the happiness he couldn’t achieve. The church doctrine almost prevents him from being a farther to his child. But, he perseveres and overcomes the restrictions of the church, his awful step-brother and the corruptness of society itself. Jack’s story is one of human perseverance and fortitude; it is a story of a man who somehow managed to survive a system that was completely against him. “Nevertheless, the book gave Jack a feeling he had never had before, that the past was like a story, in which one thing led to another, and the world was not a boundless mystery, but a finite thing that could be comprehended. ” This is a phenomenal story, and though that I’ve got hundreds of books I want to read in my lifetime, and little enough time to read them in, this is a book I will definitely be reading again in the future; it’s a story that I simply have to revisit regardless of its vast length. This is a book I just have to read again.
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  • Dan Schwent
    December 31, 2012
    Confession time: This is not a book I would have picked out for myself. First of all, look at the size of this kitten squisher! Second of all, Amanda's hate-filled review of it is one of my favorite reviews on Goodreads. However, it's one of my girlfriend's favorite books and when she suggested I give it a read, I knew what was good for me. Lucky for me, I enjoyed it.Pillars of the Earth is a multigenerational tale about the construction of a cathedral in a fictitious English town in the 1100s. Confession time: This is not a book I would have picked out for myself. First of all, look at the size of this kitten squisher! Second of all, Amanda's hate-filled review of it is one of my favorite reviews on Goodreads. However, it's one of my girlfriend's favorite books and when she suggested I give it a read, I knew what was good for me. Lucky for me, I enjoyed it.Pillars of the Earth is a multigenerational tale about the construction of a cathedral in a fictitious English town in the 1100s. Many threads are followed for it's nigh-1000 page girth. Tom Builder goes from being an expectant father to a widow to a master builder. Philip becomes a prior and the ruler of Kingsbridge. And lets not forget Jack, Aliena, Richard, Waleran, that bastard William Hamleigh, or any of the many other characters.Ken Follett was primarily known as a thriller writer before Pillars and it shows. Every time things appear to be going right for the good guys and it looks like the cathedral is back on track, another monkey wrench is thrown into the works. For a book with very little in the way of action, I was enthralled. You can squeeze a lot of plot complications in nearly 1000 pages and Follett jammed in as many as he could. I have to admire the kind of planning it took to write something like this.As I said before, I always found the size of this thing daunting but I probably shouldn't have. It's a best seller, and best sellers aren't known for being difficult reads. Since Follett is a thriller writer, he tended to keep things to the point for the most part, though I thought he was ignoring Elmore Leonard's rule about not writing the parts people skip a few times.I don't really want to say much about the plot for fear of spoiling anything. It's a long read but the ending is worth the time it takes to get there.Parting thoughts (may contain spoilers):- Tom Builder sure jumped into bed with Ellen pretty quickly. Agnes' body wasn't even cold yet.- Lots of rape in the 1100's- Since Kingsbridge is fictitious, does that make Pillars of the Earth historical fantasy?- I really hate William Hamleigh.
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  • Misfit
    August 20, 2008
    I know I'm going to be in the minority here, but this is truly one of the worst books I have ever read. I came so close to throwing the book across the room on several occasions, and ended up skipping through many pages just to get to the final and not too surprising finish. The characters were flat and lifeless and seemed to have been transplanted from the 20th century into medieval England. The book was rife with unnecessary profanity that in no way enhanced the storyline and obscene gratuitou I know I'm going to be in the minority here, but this is truly one of the worst books I have ever read. I came so close to throwing the book across the room on several occasions, and ended up skipping through many pages just to get to the final and not too surprising finish. The characters were flat and lifeless and seemed to have been transplanted from the 20th century into medieval England. The book was rife with unnecessary profanity that in no way enhanced the storyline and obscene gratuitous sex (I mean how many times did William have to rape someone to prove that he was a really really bad guy?). I noticed that at least one other reviewer commented that this book was required reading in his child's school, which if you are a parent I would recommend you take a good look at this book and perhaps take issue with your school district. As an adult I was shocked at the language and violence in this book, and find it totally inappropriate for a child and/or young adult. I also noticed comments about the historical accuracy and research that must have been involved in writing this book. If that is so, it must only be in regards to the building of the cathedral and the civil war between Stephen and Maud. As for the rest, I must disagree, I have read many well written and researched books of medieval times (thank you Sharon Kay Penman and Elizabeth Chadwick for such awesome reads), and I was infuriated on numerous discrepancies in this book. Examples and anyone may correct me if I'm mistaken as I am not a history major: * Aliena is frequently described as having long, curling loose flowing hair. Women in those days wore their hair braided and covered, it being quite scandalous for any man other than her husband or lover to see it loose. * After the attack on the castle, and the imprisonment of their father Aliena and Richard are allowed to live alone in the castle with only the steward? I doubt that the king would punish the children so for the sins of their fathers, and most likely would have been made wards of the king until they reached their majority. This was most desirable as the king could then skim the proceeds off the estates and funnel them to the crown's use. Sometimes a king would give ward ship to another party as a reward for service, etc. * Young boys of the noble class were typically sent to another noble household to be raised and educated, first as squires and then trained in that household as a knight. What on earth was a teenaged Richard doing living at home? * Much was made of William's warhorse. These were formidable beasts that were not easily handled by strangers. Yet Aliena and Richard were able to not only saddle the warhorse, but to get right on and ride it? I don't think so. * The English nobility of that period were Norman French and did not speak the language of the peasant class. So how did Aliena manage to not only communicate with them, but could set up a successful business in that atmosphere? I could go on with more examples if I had remembered to take notes, but there were many similar instances to this throughout the book. All I can say is that if you want to read a very well written and researched book on this period, please see Sharon Kay Penman's When Christ and His Saints Slept and Time and Chance (Ballantine Reader's Circle). JMO.
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  • Jax
    July 11, 2008
    A massive tome with a spine thicker than Arnold Schwartzenegger’s forearm, Pillars looks intimidating enough to make even the most avid readers wary; its 973 pages are densely packed with unforgiving walls of 8-point text with nary a line break in sight. Before I was more than a hundred pages in, however, it became apparent that length was among the least of this behemoth of a book’s problems. Follett's concept—a medieval, generation-spanning epic built around the construction of a cathedral—is A massive tome with a spine thicker than Arnold Schwartzenegger’s forearm, Pillars looks intimidating enough to make even the most avid readers wary; its 973 pages are densely packed with unforgiving walls of 8-point text with nary a line break in sight. Before I was more than a hundred pages in, however, it became apparent that length was among the least of this behemoth of a book’s problems. Follett's concept—a medieval, generation-spanning epic built around the construction of a cathedral—is exciting and full of potential (as are the illustrations, which are far too beautiful to serve as bookends to such trash); but the snaillike pacing, nonexistent characterization, and stilted, robotic prose ruin whatever potential the book might have had. Things start off on a sour note as we must bear witness to a painful prologue in which Follett tries to establish some sort of basis for an intersection that we are led to believe is soon to come – only to abandon this plotline for so long that we’ve forgotten what the point of the book is by the time it comes around again. Then we fast-forward a decade, ending up in a rolling green valley alongside a totally different cast of characters. Before even a single word of dialog has appeared, Follett has described in exhaustive detail the lives thus far of Tom Builder (guess what his profession is), his moderately pregnant wife, Agnes, and their children, Martha and Alfred. Here we run into one of the most irritating faults of the whole book—a descriptiveness that borders on—and then completely transcends—the excessive. One wonders what on earth Follett’s editor was off doing when he should have been cutting Pillars down by several hundred pages’ worth of unruly tresses and twinkling eyes. A thorough editor, armed with a hacksaw, could have perhaps fashioned this mammoth mishap into a passable pulp page-turner; but left as is, Pillars proves infantile, taxing—and oftentimes just plain disgusting. Fight and torture scenes are pointlessly gratuitous; descriptions of the architecture are historically accurate but impossibly long and boring; attempts to make the solidly one-dimensional characters charming only render them crass, impulsive—and, frankly, kind of gross. It’s all downhill from there—with the exception of plucky prior Phillip, who could have been the novel’s saving grace if not for Follett’s iron resolution to curdle what little cream rises to the top of this mess. Phillip is smart, tenacious, and intensely likable, and his involvement in Tom’s life (being the prior of Kingsbridge Priory, where the cathedral is being built) gives the impression that he’ll be a key player for a long while. We are sadly mistaken; Phillip barely has time to settle in to his newly-acquired prior’s quarters before he is cast aside like a ragdoll. Oh, sure, he’s still around—but he does little more than pace hallways, issue stale anecdotes, and wring his hands over his inability to keep Kingsbridge safe after it is attacked again and again and again by the bad guys—who, in typical Follett style, would not have looked out of place twirling their moustaches and cackling maniacally. Waleran Bigod (I kid you not) and William Hamleigh fill their roles of ‘cold-hearted evil mastermind’ and ‘sadist thug’, respectively, with menacing glares, cold, unsmiling eyes, and appropriately villainous hubris all around. Follett abandons all pretenses with these two and instead goes for pure shock value, thereby rendering even his silliest characters uniformly unlovable. This is all well and good (well, truly, not)—but what really had me sputtering with disbelief was the author’s warped sense of justice. Does he honestly think that making William fat and gouty by the book’s end will bring closure? If anything, I found it a little extreme; Willy and Wally (as I took to calling them) were the only ones who even tried to relieve the suffering for the reader brought on by Tom’s (literally) witchy girlfriend (yes, girlfriend) Ellen, her funny-looking son Jack, and his improbable beau Aliena (I couldn’t make this stuff up if I tried); the men deserve pats on the back! For that matter, so does anyone who managed to overcome the temptation to throw this bloated Colossus out the nearest window halfway through. Congratulations. Now how about that sequel?
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  • StoryTellerShannon
    November 17, 2011
    A tapestry of medieval cathedrals centered around an epic drama and some would term it melodrama but that's open to debate. Ken Follet actually wanted to write this book years before it was published. But his agent told him to build up his base of fans by writing several more thrillers. His EYE OF THE NEEDLE pushed him up to the best seller list. At a later point, after writing those novels and studying medieval cathedral architecture, Follet got to write his 900 page novel centering around the A tapestry of medieval cathedrals centered around an epic drama and some would term it melodrama but that's open to debate. Ken Follet actually wanted to write this book years before it was published. But his agent told him to build up his base of fans by writing several more thrillers. His EYE OF THE NEEDLE pushed him up to the best seller list. At a later point, after writing those novels and studying medieval cathedral architecture, Follet got to write his 900 page novel centering around the British dispute of the crown between Queen Maude and King Stephen; these were the contestants who preceded Henry II, who is best known for his colorful History with Eleanor of Aquitaine, Richard the Lion Hearted and the gray King John. Story centers around several commoner types, with a few exceptions, whose lives intertwine in the eventual struggle to build a glorious cathedral. Without revealing too much and generalizing this story has: lurid scenes of lust, violence, intrigue, political disputes, wars, loves gained, loves lost, main characters dying, a child abandoned at birth and much more. And, to enthusiasts of History, it even teaches readers of the period. Highly advised reading, even if the dialogue is a bit informal and the structure sometimes isn't as focused as it could be. If those two points don't bother you, this is a great book.And, for those too lazy to read the novel, there's now a miniseries. STORY/PLOTTING: A minus; CHARACTERS/DIALOGUE: A minus to A; SETTING/EPIC SCOPE: A minus; HISTORICAL FLAVOR/ACCURACIES: B plus to A minus; OVERALL GRADE: A minus; WHEN READ: 2006 (second reading)
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  • Troy
    March 17, 2008
    Ahem."Pillars of the Earth" is a very long book. It's got a lot of soap-opera-like twists and turns - no amnesia, but just about everything else, including mistaken identities, illicit marriages, illicit lack of marriage, illegitimate children, questionable parentage, love triangles, revenge, greed, power, a few murders, rape, witches, politics, knights, swords and horsies. OK, that last bit is not so soap-opera-like. There's also lots and lots of architecture. And it's a very long book.Main sto Ahem."Pillars of the Earth" is a very long book. It's got a lot of soap-opera-like twists and turns - no amnesia, but just about everything else, including mistaken identities, illicit marriages, illicit lack of marriage, illegitimate children, questionable parentage, love triangles, revenge, greed, power, a few murders, rape, witches, politics, knights, swords and horsies. OK, that last bit is not so soap-opera-like. There's also lots and lots of architecture. And it's a very long book.Main story follows a single family of stone masons for (roughly) three generations, and the extended families associated with re-marrying, etc. Around this family revolves an aspiring monk/prior, a powerful but morally questionable bishop, a ruthless Earl (title, not name), and several kings. The thing is, even with all the re-marrying and such, there are so many evolving inter-relationships between these main characters as the struggle for political power unfolds, and of course everybody grows up, has children, etc - that EVERYTHING seems to happen to this small group of people. And just when you think things have settled down for a while, something else happens, or attempts to happen. And these things keep happening for approximately 980 pages.Along the way, you learn a lot about medieval culture - particularly the role of religion, the political power of a monestary, priory, or diocese - how life is funded, and just how much it sucks to be a serf. There's also quite a bit of focus on the reason for, and the means to, building cathedrals - Follett muses in his Foreward that one of the things he never could understand is why people in such destitute times would have put so much energy into buildings of such scale, and this book addresses that. You also learn a lot about architecture and the evolution of cathedral-building. I can also now tell you the difference between a nave, chancel, transept, cloister, and clerestory. Oh, and probably 7 different words for "horse".Really though, I very much enjoyed it, despite its very lengthy nature. Very full of words. Long. Not a day went by I didn't read at least 50 pages (note - at that rate, it will still take about 3 weeks to finish).The building is a constant, its a reason to keep the central family of masons from wandering off and having more illicit marriages, and its a reason for the ongoing political power struggles. It's essential, but it's not distracting, and the cathedral is not the focus. The people are. They're engaging, you feel for them, you assign labels (good, evil) you change labels several times (he's pretty self-serving and conniving for a "good" guy), and you constantly wonder just what more can possibly happen to these people. There's also an underlying mystery that keeps you wondering... right up until 100 pages too soon.My only complaint is this - the big climax occurs, the mystery is revealed, it all comes together - and there are still 100 pages to go. The last part of the wrap-up, the rise and fall, takes a while, has an interesting but probably unnecessary historically accurate reference to English church vs. king to give the whole novel an air of "this could have really happened in some obscure English medieval village somewhere, I wonder which cathedral this is supposed to be? Can I go see the real thing?" But it loses momentum right at the very end. Loose ends nicely tied up, but it wasn't the gripping page turner it had been in the first 900 pages. By that time, though, you've got so few pages in your right hand you just keep going because the end is in sight.
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  • Kay
    June 11, 2011
    How does one review a book that one cannot even describe?So many times after gushing about how good Pillars was, people ask me, What’s it about?And I, swirling in the happy aftermath of a mind so blown away that it’s still traveling near the speed of light, struggle to gather what’s left of analytical thinking and dumbly blurt, “Um, it’s about building this cathedral…”Way to not to sell a book.I still have trouble really describing Pillars in a way that satisfies. Because while it is about build How does one review a book that one cannot even describe?So many times after gushing about how good Pillars was, people ask me, What’s it about?And I, swirling in the happy aftermath of a mind so blown away that it’s still traveling near the speed of light, struggle to gather what’s left of analytical thinking and dumbly blurt, “Um, it’s about building this cathedral…”Way to not to sell a book.I still have trouble really describing Pillars in a way that satisfies. Because while it is about building a cathedral, it’s about so much more. It’s about love, hate, sacrifice, duty, honor, sorrow, ambition, dreams… It’s about cold, hard life in the Middle Ages during decades of civil unrest where both good and bad people, downtrodden and as hungry as they are, still dream and compete and seek a sense of accomplishment in their lives. People like you and me, just some centuries and a culture apart. And like life, not everything is pleasant. There are many ups and downs in the novel, so many that you learn to brace yourself for the worst when someone emerges victorious because you know that there will be payback. The characters go through a lot of hardships, and it’s pretty darn painful to read. The devastation that Prior Phillip felt when some part of his cathedral project was foiled is just as heartbreaking as the physical violation of Aliena’s body. On the flip side, when the characters felt joy, it was extremely acute. When Tom finally landed a job, I breathed a sigh of relief. When Aliena got revenge on the priest who was supposed to “take care” of her father’s money, I felt a ruthless surge of satisfaction. It’s like I’m with these characters, that they are real and I am next to them. Their life is not a bucket full of cotton candy. It’s bitter, vile, and hard; but it’s also sweet, gentle, and satisfying in turn. Pillars does dramatize the lives of these characters by placing them in a zero sum system; when one gains, the other has to lose. What resulted was an intricate web between the characters, some more attached to one than the other. Each move that one character made had a profound effect on the other. While this may have been contrived for some, I found it fascinating to follow these lives and see how much they crisscross and tangle. The concept that every action has consequences is something that is definitely fleshed out in Pillars, which I think is a life lesson that not many people dwell on. Despite their differences, what every character had in common was that the thread of their lives all intersect at the focal point of this one cathedral. Every significant action in the novel is somehow directly or indirectly connected to the construction of this cathedral. And my, what a construction project it is to build a cathedral! Ken Follett really studied up on this subject and did a fantastic job depicting the grandeur and openness of cathedrals. Cathedrals really are complicated works of architecture. Even the darker, more foreboding ones of the early middle ages were incredibly expensive and a huge pain to build. The type of “open air” cathedral with flying buttresses and colored glass that so amazed Jack is really a sight to behold, even in modern standards, with their intricacy and careful architectural balancing. Some of Follett’s best writing emerges when he describes the smooth arches, the interior of the nave, the structure of the transepts, and the light streaming in through elongated windows that brightened darkened corners, an innovation thought to be structurally impossible in a stone building. The book does have its faults. Follett’s writing was not all that consistent. It was jarring to read Follett’s grandiose descriptions of cathedrals and then, on the next page, read about William Hamleigh fantasizing about violating women. The violence was graphic, almost to the point of being gratuitous, but then again everything about Follett's writing was graphic. I personally take no issue with graphic violence, but people who do should take note that the prose of this novel is in-your-face blunt. My overall impression of the novel is that it is a tour de force of storytelling; a story that weaves together the lives of enemies and friends who are not all completely evil or good, who have their own dreams and ambitions, and who are willing to do dirty yet necessary things to achieve their ends. Some are more good than others, some are almost saintly, and others are steaming piles of doo. But somehow, amazingly, they are all parties in the construction of this one cathedral, and the cathedral connects them in both death and life. Faults aside, the sheer force of the story compelled me to give this five stars. It’s not a perfect novel, and the novel doesn't showcase perfect writing. But it’s a really good story, something so grand and epic that it can’t be adequately captured in just a few sentences. FIVE SHINY GOLD STARS AND HIGHLY RECOMMENDED!
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  • Jason Koivu
    November 29, 2010
    Want to know how it feels to build a cathedral? Read the monumentally huge book The Pillars of the Earth by Ken Follett. By the time you're done you will feel as if you've spent the better part of your life on it. The details are marvelous and intricate. Follett obviously did a lot of research in order to construct this mammoth book. The love story is intriguing and captivating. A little weird too. But that aside, it's the sort of romance that'll sweep up most readers...sweep them up like a broo Want to know how it feels to build a cathedral? Read the monumentally huge book The Pillars of the Earth by Ken Follett. By the time you're done you will feel as if you've spent the better part of your life on it. The details are marvelous and intricate. Follett obviously did a lot of research in order to construct this mammoth book. The love story is intriguing and captivating. A little weird too. But that aside, it's the sort of romance that'll sweep up most readers...sweep them up like a broom down a bowling alley lane. It goes on and on, and frankly, it drags, which kinda killed the romance for me after a while. Seriously, the length of this sucker is unnecessary and exhausting. I think Follett was let off the leash with this one and he ran with it as far as he could. I've read how it was a pet project of his. Apparently he wrote previous books for his publisher on the promise that he would be allowed to create his baby: the behemoth known as The Pillars of the Earth. That's one fat baby.
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  • Simona Bartolotta
    December 22, 2011
    4.5“What you’re doing is wrong,” he said. “I mean evil. To give up happiness like this is like throwing jewels into the ocean. It’s far worse than any sin.”Since there is pretty much nothing I didn't like about this book, and since the only reason why the fifth star is missing is that Medieval history isn't really my thing and so I loved the Century trilogy far too much more in comparison with The Pillars of the Earth to give the latter the same rating as the former, in this review I will only b 4.5“What you’re doing is wrong,” he said. “I mean evil. To give up happiness like this is like throwing jewels into the ocean. It’s far worse than any sin.”Since there is pretty much nothing I didn't like about this book, and since the only reason why the fifth star is missing is that Medieval history isn't really my thing and so I loved the Century trilogy far too much more in comparison with The Pillars of the Earth to give the latter the same rating as the former, in this review I will only be trying to explain you why I find Ken Follett's stories simply, utterly irrestistible. The thing is, they are like cathedrals.No, I'm not saying that just because, well, The Pillars of the Earth, generally speaking, is about the building of a cathedral. That may be what triggered the comparison, but it really is true: so huge, so vast, so fearfully majestic. When you read Follett's historical novels, just as when you enter a cathedral, you feel humbled. You feel small. You feel tears well up in your eyes at the thought of how insignificant your life, a single man's life is in front of everything. And then you feel grateful, because if insignificant is what we are, what we always have been and always will be, Follett's characters refuse to play by this single inevitable, wicked rule. They rise as high as the most untouchable roof of the most humbling cathedral; why, they build that very cathedral. They make of that cathedral their dream, the one that's closest to their heart, as if they could take the everything that building stands for and put in it in their human, human minds.I love it. I love Follett's way of mixing up tranche de vie and history, I love his characters and the way their lives inescapably intersect and get more and more tangled up with each other as the story unfolds. Stories like this one are the ultimate wish of my heart as a reader. Reading them makes me feel so happy and fulfilled, I could take to the streets to dance in circle and kiss strangers. I want to re-read both this and the Century trilogy all over again.
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  • Stephen
    April 18, 2010
    6.0 stars. An absolutely amazing reading experience. This one may actually make it on to my "All Time Favorite" list. I listened to the audio version of this book, which means just over 40 hours of content, and when it was finished, I actually believed it should have been LONGER. This book grabbed me from the opening pages and kept me interested and engaged throughout the entire novel (a very rare feet for a 1000 page novel). With as much as I had heard about this book, I went into it with very 6.0 stars. An absolutely amazing reading experience. This one may actually make it on to my "All Time Favorite" list. I listened to the audio version of this book, which means just over 40 hours of content, and when it was finished, I actually believed it should have been LONGER. This book grabbed me from the opening pages and kept me interested and engaged throughout the entire novel (a very rare feet for a 1000 page novel). With as much as I had heard about this book, I went into it with very high expectations and they were absolutely met (if not exceeded). I can't recommend this book highly enough. I also need to say that the narrator, John Lee, did another amazing job. Coincidentally, he was also the narrator on the only other 40+ hour audio book I ever listened to, Pandora's Star by Peter F. Hamilton. He can certainly make a great book, even better. HIGHEST POSSIBLE RECOMMENDATION!!!!
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  • Michael
    July 28, 2008
    A friend recommended this book. He is no longer a friend. I confess a snooty predisposition against pulpy books. I was going to the beach so I thought this would be a good beach book.So what's it about? A master builder wanders medieval England looking for work. He's with his family--pregnant wife ("she was his soul-mate"--the author actually writes that twice), medieval Bart Simpson-ish son, scrawny daughter. He Dreams of Building a Cathedral. Along the way he meets a witch in the forest--a pul A friend recommended this book. He is no longer a friend. I confess a snooty predisposition against pulpy books. I was going to the beach so I thought this would be a good beach book.So what's it about? A master builder wanders medieval England looking for work. He's with his family--pregnant wife ("she was his soul-mate"--the author actually writes that twice), medieval Bart Simpson-ish son, scrawny daughter. He Dreams of Building a Cathedral. Along the way he meets a witch in the forest--a pulchritudinous witch, no warts. He loves his wife but lusts for the witch, then goes back to focusing on his lesions.As the family nears starvation, the wife goes into labor in the gelid forest and dies in childbirth. The baby lives. The mason abandons him and staggers off into the forest. The witch-babe comes upon the mason for a brief prurient-interest sex scene. She's on top and her breasts swell to his touch. You get the idea. Then she feeds the builder and his kids soup in her cave, which is appointed like Hugh Hefner's "After Dark" lounge. The baby is then rescued by monks who feed it by dipping a cloth into goat milk and letting the lad suckle. The monks seemed relieved from their daily routine of plain song (oh, for a drum sample!), beer brewing and long, steamy group showers. They quickly devolve into bitchy "Three Men and a Baby" behavior. This book is 124,000 pages long and I am on page 98. Why I am reading it? 1) Hanging out with my father-in-law in hospice. Not a good time to whip out "Angry Birds" 2) Sex scene with concupiscent witch actually was sexy. 3) Copy of "The Leopard" by di Lampedusa on order.
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  • Dem
    September 19, 2009
    This is an amazing read, I loved this book. A lengthy novel at over 900 pages and not for the faint hearted and yet the story moves at a surprising quick pace. The characters are so well portrayed and engaging that you cant wait to turn the pages to unravel their fates. I loved the twists and turns of this novel and as historical fiction goes this is among the best I have read as the research is excellent.Set in 12th-century England, the narrative concerns the building of a cathedral in the fic This is an amazing read, I loved this book. A lengthy novel at over 900 pages and not for the faint hearted and yet the story moves at a surprising quick pace. The characters are so well portrayed and engaging that you cant wait to turn the pages to unravel their fates. I loved the twists and turns of this novel and as historical fiction goes this is among the best I have read as the research is excellent.Set in 12th-century England, the narrative concerns the building of a cathedral in the fictional town of Kingsbridge. I never thought I would read a 900 page novel on the building of a cathedral but the plot is so compelling as it spans 40 years of social and political upheaval and we see how church politics affect the progress of the cathedral and the fortunes of the protagonists. Ken Follett has written a novel that entertains and presents an amazing sense of time and place.
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  • Lucy
    November 10, 2008
    I hated this book. Let's just get that out of the way so there is no confusion later on.Ken Follett describes a gloomy, dismal, nearly barbaric society whose citizens' greatest concerns seem to be their egos and their lust for power and control. He uses the building of the great European cathedrals as the impetus for his story; the magnificent structures were made possible through trickery, lies, greed, criminal acts and selfish ambition. Forget about the Glory of God...that's just history's cov I hated this book. Let's just get that out of the way so there is no confusion later on.Ken Follett describes a gloomy, dismal, nearly barbaric society whose citizens' greatest concerns seem to be their egos and their lust for power and control. He uses the building of the great European cathedrals as the impetus for his story; the magnificent structures were made possible through trickery, lies, greed, criminal acts and selfish ambition. Forget about the Glory of God...that's just history's cover story. But Follett's cathedral in Pillars of the Earth serves as much purpose as the hospital in the soap opera General Hospital. He focused much more on the personal drama, romance, and rivalry of his weak characters. This was historical fiction a la Daytime television.The story didn't even feel historical. Follett tried. He mentioned eating with a knife almost as frequently as the tunics his characters wore (Setting it apart from modern day. We no longer wear tunics, you know). But everything felt too modern - their speech, their attitudes, even their relationships. I read the mammoth 1,000 page story quickly but I can just as easily get sucked into Guiding Light. The plots are interesting enough...just mind-numbing and unlikely. For example, the Alfred-Aliena-Jack love triangle had my interest but then the high drama of Aliena's secret pregnancy followed by her truly unbelievable delivery (during the same time the ceiling of the cathedral fell....underneath the stone rubble....really?) along side Jack's odyssey was just too much. And could someone please just get kill William Hamleigh before he rapes someone else? (They don't. The reader is required to experience one too many grotesque acts by an inhumane man who supposedly fears hell. Once was MORE than enough, Ken. We get it. He's baaaaaad).Even if there is some historical truth to the background story - the difficulty in building a cathedral (oh yeah..remember that?), it is overshadowed by all the non-historical melodrama. I don't think Follett did that period of history any favors by making it all seem so salacious.Here Be Dragons does a much better job of storytelling the tumultuous middle ages. Read it if you want to experience the pettiness of power. I'd even recommend Philippa Gregory's novels over this. It was about 900 pages too long.
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  • Tina
    January 28, 2008
    I finally finished this book and I loved it!!The characters were interesting, flawed, and complex. The storyline was captivating, intricate, and exciting. I think that because the story was told from the point of view of many characters (5 or 6, I think), the author was able to show so much more of what was going on in many different places at the same time. Also, the length of the book allowed for a lot of time to pass (almost 50 years). I love how the author incorporated some actual historical I finally finished this book and I loved it!!The characters were interesting, flawed, and complex. The storyline was captivating, intricate, and exciting. I think that because the story was told from the point of view of many characters (5 or 6, I think), the author was able to show so much more of what was going on in many different places at the same time. Also, the length of the book allowed for a lot of time to pass (almost 50 years). I love how the author incorporated some actual historical events into the story, which made all the other plotlines seem so much more real.The author spent a great deal of time and effort explaining specific features and aspects of cathedral construction. At first, I really tried to read through these parts carefully and understand them, but later on in the book I found myself skimming over them to get back to the actual plot. It was obvious that he had done extensive research on this topic and his descriptions did help me to appreciate what hard work it was for people to build such magnificent structures at that time in history.The ending of the book was very gratifying, seriously my favorite type of book- the type that ties up all loose ends.Now for the downside, this book can be vulgar and downright disgusting at times. The violence depicted is more graphic than I have ever read in any other book before. But I realize that the author was simply trying to be true to life at that period in history- knights, war, pillage, famine, etc. And for this fact, I appreciate the realism- but that didn't make it any easier to read. Bottom line- I love this book. I qualify my recommendation though because of the reasons listed above. This book is NOT for everyone.****************************************************************Update*** (I went out and bought a copy of this book for myself.) I am loving this book! I have about 150 pages left and I can't wait to see how it ends. But at the same time, I'm sad for it to end because I'm going to miss the characters.I still have the same complaint that the story is a bit soap opera-y and some elements of the story seem modernized from what it was probably like in 12th century England. But I'm at the point now where I don't care. Unlike other books I have read lately, once I pick it up, can't put it down. (I find myself reading three or four hours late into the night- not the best way to combat my constant sleepiness.) ******************************************I started this book in all of its 970 page glory. At first, I couldn't understand all the hype- everyone I have talked to said that they loved this book. I thought the author's writing style was a bit soap opera-y. I don't know much about the Middle Ages, but it seemed to me that some of the dialogue, emotional situations, and social situations were somewhat modernized- it was hard for me to believe that that was really what it was like during that time period. But as the story moved along, I found myself drawn in. I made it to chapter 5 before I had to turn it back in to the library. (Those of you who have read it know that the chapters are way long, chapter 5 is really around page 275.) I'm now 14 on the waiting list to get it back and I'm really missing it. I'm getting close to just going out and buying myself a copy so I can keep reading.
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  • Amalia Gavea
    June 14, 2016
    There aren't many things left to say when it comes to Ken Follett's masterpiece. The Pillars of the Earth is one of the most beautiful, haunting, exquisitely well-written novels of all time. It is a ''showstopper'' book not only in the Historical Fiction genre, but in Literature in general. Still, for an obsessed reader of historical novels like yours trully, it can become the standard by which all other historical sagas are measured. I don't know whether this is just and right, but it does happ There aren't many things left to say when it comes to Ken Follett's masterpiece. The Pillars of the Earth is one of the most beautiful, haunting, exquisitely well-written novels of all time. It is a ''showstopper'' book not only in the Historical Fiction genre, but in Literature in general. Still, for an obsessed reader of historical novels like yours trully, it can become the standard by which all other historical sagas are measured. I don't know whether this is just and right, but it does happen to me every so often. It is a rare occassion when you have a multitude of characters and every single one of them has something to offer and attract the reader's interest. Not even A Song of Ice and Fire in all its glory has achieved this, in my opinion. However, here we have good characters with whom we agonize over their fates, evil characters whom we hate with passion, and characters that stand in a gray area, driving the story forward. Aliena is one of the best female protagonists in Literature, and Waleran with William Hamleigh fight for the title of the ''best villain'' in the genre. The TV-series adaptation was really good, with a plethora of excellent casting choices. Ian McShane, Matthew McFadyen, Rufus Sewell and David Oakes steal the show.If you haven't read it yet, a) under which rock have you been hiding?, and b) read it as soon as you can. Thank me later;)
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  • Patricia
    November 12, 2007
    Hmmm... a family relation lent me this book. I was mostly interested in what kind of books my particular relation was into. I think you can learn a lot about a person by reading their favorite books. I am actually a little disturbed. Yes you may call me a prude, but there was sex in it. I know what your thinking... thats not a shocker. But its not just sex... it is violent sex. It has several graphic rape scenes. And I have to admit violence to women frightens me. I don't need that graphic of an Hmmm... a family relation lent me this book. I was mostly interested in what kind of books my particular relation was into. I think you can learn a lot about a person by reading their favorite books. I am actually a little disturbed. Yes you may call me a prude, but there was sex in it. I know what your thinking... thats not a shocker. But its not just sex... it is violent sex. It has several graphic rape scenes. And I have to admit violence to women frightens me. I don't need that graphic of an image of midevil history. I am sure events like that happened but I don't enjoy reading about them. And I was suprosed how frequently the topic came up within the book. That being said, the plot was great but the antagonist got boring in the last third of the book. I liked the plot except for the antagonist waring on my patience. I do like complex plots such as this one... however the plot became fairly predictable at about page 600. The bad guy comes in terrorizes the good people and frustrates the building of the cathedral. then the good people rebuild and make a little progress. Then the bad guy comes again and the cycle continues. I think authors should quit while they are ahead. I love a thick book... however it should only be 1000 pages if you can be creative the whole time.The setting provided and eye opening experience. It took a minute to get used to the midevil setting, but it I found it intriguing. I also liked how the book covered decades of time... I haven't read many books that do that. Well this is what I think. Sorry about the spelling errors.
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  • Kira Fisher
    March 15, 2008
    i can't stress enough how not good this book was. (everett says he likes it that i pan books, so he will be pleased with this review.)where does one start when explaining what makes a piece of shit unpleasant? is it the smell? is it the origins? is it its inherent turdness?this book is inherently a turd.mr follett's preface says that people have told him it is the best book they have ever read, and i have to seriously question what they're comparing it to. sweet valley high? maybe, but not neces i can't stress enough how not good this book was. (everett says he likes it that i pan books, so he will be pleased with this review.)where does one start when explaining what makes a piece of shit unpleasant? is it the smell? is it the origins? is it its inherent turdness?this book is inherently a turd.mr follett's preface says that people have told him it is the best book they have ever read, and i have to seriously question what they're comparing it to. sweet valley high? maybe, but not necessarily.okay, compliment sandwich time - something nice, something not nice, something nice.something nice: it's filled with precise information about industries during the middle ages (1130s-1170s, approx.) informative!something not nice: these bits of information were not interesting, not really. also, the characters are not even one dimensional. they are, say 1/3 dimensional. all the good guys are attractive, all the bad guys are ugly. everyone things in contemporary ways. the book drones on and on in a mind-numbing sequence of "something good happens! something terrible happens! something good happens, that is just in time! something bad happens that seems like a disaster! something happens to redeem the badness!" you just don't care after a while. also, the central premise of the story, this commitment by these men to built a cathedral, is HELLA flimsy. mr. follett is supposedly something of a church architecture buff, so maybe for him that seems plausible, but i wasn't enrolled. yeah, they're impressive and lovely. NEXT. not funny, not intelligent, not exciting, not suspenseful, not sexy. something nice: the cover of the book is very lovely, and the book itself is nice and long. hundreds and hundreds of pages of not-very-good writing.there you go. this book was a piece of crap and oprah should be ashamed of herself for putting it in her book club alongside books like 'white oleander' and 'east of eden.'
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  • Antonio
    August 22, 2013
    —Espero que construyas tu catedral —susurró.—Creí que no querías que lo hiciera —dijo él, sorprendido.—Sí, pero estaba equivocada. Te mereces algo hermoso.Tom no comprendía el significado de aquellas palabras.—Construye una hermosa catedral para mí —prosiguió Agnes. Entre los edificios más majestuosos de la antigüedad tenemos a las catedrales, esta es la historia de cómo se construyo una de ellas y de todos los contratiempos, esfuerzos y planes que hay detrás de ella. Esta historia tiene de tod —Espero que construyas tu catedral —susurró.—Creí que no querías que lo hiciera —dijo él, sorprendido.—Sí, pero estaba equivocada. Te mereces algo hermoso.Tom no comprendía el significado de aquellas palabras.—Construye una hermosa catedral para mí —prosiguió Agnes. Entre los edificios más majestuosos de la antigüedad tenemos a las catedrales, esta es la historia de cómo se construyo una de ellas y de todos los contratiempos, esfuerzos y planes que hay detrás de ella. Esta historia tiene de todo, ambición, guerra, amor, odio, desgracias, vaya que si las tiene, sabiduría, clemencia, misterio, arquitectura mucha arquitectura, luchas de poder, entre reyes, y aspirantes a reyes, entre señores terratenientes, entre el clero, vaya juego de tronos de poder que se da en la iglesia, incluso entre los constructores de la catedral. Personajes ¡wau! un sinfín de personajes, que me llevaría muchos párrafos describir a todos detalladamente, en el espectro masculino vemos casi todas las personalidades, y en los femeninos, quizá no haya muchos pero las que hay son geniales Este libro me llevo por una montaña rusa emocional, odie infinitamente al que se ha convertido en el villano más despreciable del que leído William Hamleigh maldito desgraciado (view spoiler)[como disfrute con la justicia de su muerte, (hide spoiler)] sufrí con las desgracias de los personajes, que son bastantes, pero sentía admiración de cómo incluso después de cada golpe, de cada caída se levantaban de nuevo y continuaban con sus vidas de la mejor forma en que podían ¿no es ese el quid del espíritu humano?Ame la sabiduría de Philip, la decisión de Aliena, la bondad de Tom, la fuerza de voluntad de Ellen y las pasiones de Jack. Lo bueno: Mas de 1400 páginas damas y caballeros, casi 40 años de historia transcurren en el libro y sobretodo quería, no, necesitaba continuar leyendo y así saber que iba a suceder. Lo malo: solo un par de cosas no me gustaron tanto, ARQUITECTURA, cuanta arquitectura hay en este libro, había momentos en que quería decirle a Tom, hombre amo tu pasión pero ¡te podrías callar! Y aunque los personajes femeninos que hay son, como dije, geniales, me parecieron escasos, vamos Follet que la edad media sea machista no significa que había menos mujeres. En fin, no le tengan miedo al grosor de este libro, como lo tuve yo por bastante tiempo antes de comenzarlo, denle una oportunidad a los Pilares de la tierra, les aseguro que se encontraran con una historia impresionante de la humanidad y sus proyectos colosales. P.D. Tambien pueden ver mi reseña de Un mundo sin fin aquí
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  • Richard Derus
    December 27, 2011
    Rating: 3* of fiveThe Publisher Says: As a new age dawns in England's twelfth century, the building of a mighty Gothic cathedral sets the stage for a story of intrigue and power, revenge and betrayal. It is in this rich tapestry, where kings and queens are corrupt - and one majestic creation will bond them forever.Honest. That's all of it. I guess they figure if you haven't read it by now, you ain't a-gonna?My Review: This was a group read on LibraryThing in 2009...I joined in because I haven't Rating: 3* of fiveThe Publisher Says: As a new age dawns in England's twelfth century, the building of a mighty Gothic cathedral sets the stage for a story of intrigue and power, revenge and betrayal. It is in this rich tapestry, where kings and queens are corrupt - and one majestic creation will bond them forever.Honest. That's all of it. I guess they figure if you haven't read it by now, you ain't a-gonna?My Review: This was a group read on LibraryThing in 2009...I joined in because I haven't read the book since 1990 or so. It's a long, long, long book. It's got some dreadful stuff in it. It's hard to bring myself to read some of the scenes that I didn't remember until I came to them (it seems that the medieval world was a rapist's paradise).The actual cathedral building bits were fascinating to me, though if I had to take a test on the jargon of cathedral creation I'd fail. I just inserted *bleep* noises when words like clerestory and architrave came up because I have enough to think about as it is. I don't want that kind of stuff cluttering up the few remaining synapses I have unallocated.Would I recommend this book...well, on balance, no I wouldn't. It's a highly enjoyable read for people who like history, and it's got a lot of interesting characters doing interesting things (although that stupid prior made me itch, what a maroon as Bugs Bunny used to say). But it requires commitment and dedication, and its rewards are not necessarily commensurate with the effort put into reading it (and holding it up, thing is HUUUGE).Pick it up at your own peril. Quite a ride, quite a piece of work, quite an achievment, but not quite as addictive as an elephantine tome needs to be for me to sing its praises. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
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  • Will M.
    June 13, 2014
    Set in twelfth-century England, The Pillars of Earth is an epic tale of remarkably unforgettable characters in pursuit of building the greatest Gothic cathedral the world has ever known. As simple as the plot may sound, the novel offered more than what it appeared to have.This is the best Historical Fiction I've read as of today. This gigantic piece of treasure didn't seem that huge while I was reading it. I'm serious when I say that this even felt shorter than some 300+ pages novel I've read. Set in twelfth-century England, The Pillars of Earth is an epic tale of remarkably unforgettable characters in pursuit of building the greatest Gothic cathedral the world has ever known. As simple as the plot may sound, the novel offered more than what it appeared to have.This is the best Historical Fiction I've read as of today. This gigantic piece of treasure didn't seem that huge while I was reading it. I'm serious when I say that this even felt shorter than some 300+ pages novel I've read. The whole novel was compelling, and if I weren't in my final week of exams, I would've finished this in 2 days the longest. I didn't want to put this amazing thing down, even during the time wherein I had to study for my Organic Chemistry finals. I chose to read a few more chapters of this instead of studying. I've never made that sacrifice before, so that says a lot about this novel. So the biggest question is, what's there to love about The Pillars of the Earth? All I can say before you read on would be that obviously this review will be opinionated. If you hated the novel, then too bad for you. I didn't go around and bash people who gave a negative review of this just because they voiced out their opinion. Now, on to the review.Am I seriously the only one who felt like I was sort of reading A Game of Thrones? Yes, they're both epics, and maybe that's why they're similar in some ways. I'm not saying anything about copying and all, what I'm trying to say is that I enjoyed this as much as A Game of Thrones. Both books were gigantic, yet once you started reading them, you won't even notice that you're halfway done with it. and that's a sign of an amazing novel. Characters ALL of the characters were unforgettable in their own ways, in this novel. No matter how much I hated them, I will always remember them because each character played a role to make this novel amazing. Let's talk about the bad characters.William Hamleigh just made it to my list of hated characters of all time. Not hated in a way that I hated the novel, but in a way that he was an awful character, and that contributed to the greatness of the novel. Who would like this piece of shit who did nothing but rape women, and try to cheat his way to the throne? All I'm saying is, the author surely wanted to make him look bad, and he really did. He started as a really strong asshole, but in some parts we see that he's afraid of damnation in hell? He can rape and murder with no guilt, but a few holy words spurted at him made him weak? That's doesn't seem consistent. Once again I'm not saying it was a bad thing, all I'm saying is that William's a fucking pig.Alfred is another piece of shit that I hated. He's like a mini version of William, only just as cowardly. He also raped women, and beat his brother(view spoiler)[ I don't wanna end up putting everything in a spoiler tag, so I said brother. I obviously meant step-brother. (hide spoiler)] up, just because he could. He's bigger and stronger, and he felt the urge to show that to everyone. All I can say is Karma will surely bite his fat ass one way or another.I didn't really hate any other character, but Prior Philip actually faltered off after about 75% of the novel. He wasn't as likeable as he was in the beginning. He started making weird decisions, and I began to question his reputation in the novel. Good characters Tom Builder of course. He's sort of the main character here, but this novel being an epic, I believe each character should be considered as a main character. He's the strongest character of all, for me at least. I really liked the decisions he made throughout the novel. The only questionable thing he did was (view spoiler)[ leaving the baby, Jonathan. Yes, they were out of food and Jonathan would've probably died, but I still don't see it as moral to leave the baby there in the forest. (hide spoiler)]. Tom had a dream of building the best cathedral, and he will do no matter what to build it. (view spoiler)[ Why the fuck did he have to die? Or, let me rephrase that, why the fuck did he have to die like that? His skull being crushed? The author gave him such a harsh faith. (hide spoiler)]Aliena and Jack. I really liked both of them a lot. Aliena for looking out for her brother, Richard. Jack on the other hand, for looking out for himself. I honestly can't go into detail without spoiling, so I'll just do several spoiler tags.(view spoiler)[ Jack defended himself as best as he could from Alfred. Even when he thought Alfred was gone in the latter part of the novel, Alfred still came back and made Jack's life miserable. I mean, Alfred married Aliena for the sole purpose of making Jack furious for pete's sake. William also raped Aliena when she was stilla virgin. Just thought that I should write that as to remember it in the future. (hide spoiler)](view spoiler)[ Aliena and Jack's relationship had to be one of the most realistic ones out there. Most relationships in books are very forced, but theirs was not. It felt quite natural, even their hardships were not unbelievable. I really liked that about them. (hide spoiler)]So I'm not going to go more into detail about the characters because I'm sure I'm gonna spoil something to you guys. To wrap things up about the characters, all of them were amazing. I didn't even made mention of a few notable ones, because if I did I'd have to explain where they came from and I'll be ruining the novel for you guys.The plot, once again, was supposedly very simple. It's all about building a cathedral, and presenting complications while doing so. Yes, that's what happened in the novel, but once you get attached to the characters, you'll want to know what would happen to them. A lot of shocking things happened in the middle. You'll have to read to experience the amazing ride this novel gave me. All I can ask the author is, why did he give some of the characters such terrible outcomes? Honestly all the rapes that happened didn't really bother me as much as it did to the others. I took it in as something that was really evident in the medieval times. Why curse the author for trying to make the novel as spot on as it should be. I know that it's not something that's moral, but this is a novel, I don't think people should be complaining about it as much. It's not advertising rape, but rather the novel even condemned the shameful act. What happened to those rapists in the novel truly served them right.This was not really about building the cathedral alone, but rather to what extent could good and evil dominate the people. A lot of wars and political issues were present in this novel. I really wasn't expecting those things, but I'm really glad they were there. Not only did it give depth to the plot, but it also added to the enjoyment I experience while reading the novel. An epic is an epic, and Pillar's is the perfect example of a great one. Even the most ruthless people have some scruples, ultimately. The pity of his enemies was the most humiliating of all. To end this review, before I spoil anything, go ahead and read this novel. The size surely is unappealing at first, but once you start reading this, you'll only notice that you haven't been productive because you were too busy finishing it. 5/5 stars, and it possibly claimed the top spot of my favorites list. The best novel I've read as of now, alongside some of the novels of A Song of Ice and Fire. An easy and clear recommendation to anyone.
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  • Lianna
    February 15, 2008
    Toward the end of this 1000 page book I noticed the ad for the equally non-descript titled SEQUEL released 17 years after Pillars. This raises a lot of questions. What kind of author leaves his fans hanging for 17 years? Can there possibly be anything left unsaid after 1000 pages? Is this why Follett looks so smug on the back cover w/his black turtleneck?Maybe in the sequel he'll explain why he couldn't find room in the story for Martha after age 6. She was my favorite character and she got mayb Toward the end of this 1000 page book I noticed the ad for the equally non-descript titled SEQUEL released 17 years after Pillars. This raises a lot of questions. What kind of author leaves his fans hanging for 17 years? Can there possibly be anything left unsaid after 1000 pages? Is this why Follett looks so smug on the back cover w/his black turtleneck?Maybe in the sequel he'll explain why he couldn't find room in the story for Martha after age 6. She was my favorite character and she got maybe 5 sentences of mention after page 300. Talk about a huge loose end. And what was with all the raping? When the author got writer's block he must have pulled out some custom Magic 8 Ball with two possible responses: A) Rape or B) Further uncertainty regarding the King of EnglandThe result of that Magic 8 Ball shaking is Pillars of the Earth. I don't think I'll be reading the sequel.I should have put this book down forever when the one character marries the forest witch 2 hours after his beloved wife dies a bloody death. Looking back, that was a huge red flag.
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  • Michael
    June 26, 2008
    The duck swallows the worm, the fox kills the duck, the men shoot the fox, and the devil hunts the men.-William Hamleigh, The Pillars of the EarthThis is probably the fifth review I've started for The Pillars of the Earth. The first thing you'll notice is that it's a long read, 900+ pages. Whenever I've attacked a book with similar length I've usually felt that the author was trying to impress me with his big phallic novel, as though the book were really about the size of the book and his abilit The duck swallows the worm, the fox kills the duck, the men shoot the fox, and the devil hunts the men.-William Hamleigh, The Pillars of the EarthThis is probably the fifth review I've started for The Pillars of the Earth. The first thing you'll notice is that it's a long read, 900+ pages. Whenever I've attacked a book with similar length I've usually felt that the author was trying to impress me with his big phallic novel, as though the book were really about the size of the book and his ability to produce such an enormous work. This is not true with Pillars.... It starts where it should start, ands where it should end, and everything that happens in between is meaningful.I have to admit that I bought Pillars... without really knowing anything about it. I knew Ken Follett was an author of books my dad read on planes but that was about it. I had no idea that Pillars... was an Oprah Book Club selection, but found that out shortly after I purchased it (and then I realized that that was the reason Pillars... was front and center when I was browsing. I bought it because the concept intrigued me. I'm a history dork and a novel structured around the building of a 12th century cathedral is in my wheelhouse. But for the first eighth of the book or so I kept hearing Oprah and my dad talking and making feel as though I shouldn't like the book because I generally don't like what they like. In fact, for a month or so I let their imaginary voices talk me out of reading it altogether and I simply put it down and left it. After the month, though, I realized that if I didn't pick it up right then I'd lose the story and never read it. So I put my preconceptions out of my head and dug in. And wow, how I was rewarded.Pillars... doesn't strike me as a book that I'd have been assigned to read in grad school. It's not a heavily intellectual treatise about the inequities of power, or distribution of wealth or something. It's a novel, a story, one well-told. Actually it's many stories that weave in and out of each other. Each story is gripping in its own peculiar way. One of the most striking aspects about Pillars... is that Follett masterfully heightens the tension and conflict for so long. 900 pages is a really long time to build suspense and he pulls it off on nearly every page. There are so many defeats, victories, and reversals of fortune that you never feel stable, or bored. If a character gets sick you feel there's an equal chance that that character will die, or get better with no affect to the story, or cause a plague that wipes out five more characters. You just don't know. There were many moments when a character's actions made me gasp, sometimes because I was shocked at their malevolence, sometimes because I was shocked at their fate, and sometimes because I was truly happy for them. And there are some truly malevolent characters. Loathsome in the extreme. It's also surprising how Follett was able to create such truly horrible people without making them cartoonish, or like that evil guy from silent movies who always tied the heroine to the train tracks. They felt real, despicable, but real. But what knocked my rating up from 4 to 5 stars was that when I'd finished reading, I felt like I'd just read a really gripping best seller that actually meant something. After going all that way when I finally got to the destination there was really something there. It was a good trip that was worth the journey. And one final thought, after putting Pillars... down for a month (or longer) when I finally picked it up again, I could barely put it down again. I was riveted, edge of my seat riveted.(below were my initial impressions of the book as I began reading it.) I just started this the other day. It's not bad, some of the writing is entirely gripping and it's such a monumental effort that there's huge promise. But so far there's been a fair amount of sex and struggles of desire. Normally I'm all about sex and struggling with desire, but this comes across as titillating for an older generation. Like maybe your parents, or people who watch JAG would find it provocative. More later.ADDENDUMOkay, so I'm several chapters away from the clumsy sex of the opening chapter. Follet, not surprising, is significantly more interesting when he's weaving his narrative around political intrigue. Significantly. But the point isn't just to dwell in the tower with the power brokers, he wants to be in the dirt with the little people too. And showing how they are connected brings a power to the book because of the way they are handled. I still find the sexuality to be stilted and overwrought, but I'm fascinated by the grand human drama he's able to tease out with from the delicate strands of seemingly small interactions and decisions. I've still got over half a book to read though.ADDENDUM 2It's not good that I haven't touched it in several days is it? I just can't get into this book as much as I'd like to.
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  • Nikoleta
    July 21, 2015
    Ένα ταξίδι που ξεκινάει τo 1123 και τελειώνει το 1174. Ένα ταξίδι που το ξεκινούν ο Τομ, ο Αλφρεντ, η Ελεν και ο Τζακ, η Αλιενα και ο Ριτσαρντ και φυσικά ο μοναχός Φιλιπ, όλοι τους από κάθε γωνιά της Αγγλίας για να συναντηθούν και να ζήσουν στο Κίνγκσμπριτζ. Θα ζήσουν πολλές περιπέτειες, έρωτες, τραγωδίες, αδικία και χαρά κάτω από την σκιά του υπό ανέγερση καθεδρικού ναού, σε αυτό το μεσαιωνικό έπος που ονομάζεται «οι Στυλοβάτες της γης». Kαι αν με ρωτάτε, τότε σας λέω με σιγουριά «Ναι, το λάτρε Ένα ταξίδι που ξεκινάει τo 1123 και τελειώνει το 1174. Ένα ταξίδι που το ξεκινούν ο Τομ, ο Αλφρεντ, η Ελεν και ο Τζακ, η Αλιενα και ο Ριτσαρντ και φυσικά ο μοναχός Φιλιπ, όλοι τους από κάθε γωνιά της Αγγλίας για να συναντηθούν και να ζήσουν στο Κίνγκσμπριτζ. Θα ζήσουν πολλές περιπέτειες, έρωτες, τραγωδίες, αδικία και χαρά κάτω από την σκιά του υπό ανέγερση καθεδρικού ναού, σε αυτό το μεσαιωνικό έπος που ονομάζεται «οι Στυλοβάτες της γης». Kαι αν με ρωτάτε, τότε σας λέω με σιγουριά «Ναι, το λάτρεψα»!Υ.Γ. και οχι, δεν με κούρασε καθόλου!!! Μια τενοντίτιδα κόντεψα να την πάθω, αλλα ευτυχώς το περιεχόμενο κυλούσε σαν νεράκι!
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  • Franco Santos
    August 21, 2014
    El mejor libro que he leído este año, por ahora. Una completa obra maestra. Traición, tragedia, injusticia, religión, confrontación, monarquía; muerte, amor, esperanza, odio, secretos y envidia convergen en un solo lugar, en la construcción de una catedral. Ken Follett creó un complejo juego de realidades y artimañas en donde de un momento para otro el tablero puede cambiar de forma impredecible.Renunciar a la felicidad es como arrojar piedras preciosas al océano. Es mucho peor que cualquier pec El mejor libro que he leído este año, por ahora. Una completa obra maestra. Traición, tragedia, injusticia, religión, confrontación, monarquía; muerte, amor, esperanza, odio, secretos y envidia convergen en un solo lugar, en la construcción de una catedral. Ken Follett creó un complejo juego de realidades y artimañas en donde de un momento para otro el tablero puede cambiar de forma impredecible.Renunciar a la felicidad es como arrojar piedras preciosas al océano. Es mucho peor que cualquier pecado.Pocas veces he leído un libro con personajes tan desarrollados como en este. El autor nos plantea y nos guía a través de las páginas la evolución de cada una de las personalidades que lo componen. Con esto quiero decir que personajes que empiezan siendo muy chicos, al final del libro ya superan los 30 años. Follett, gracias a eso, me hizo sentir un cariño especial, logró que los perciba como personas reales y no meros nombres impresos en las hojas; y generó que los que tenía que odiar, los haya odiado como nunca odié a nadie. Es un libro enorme, muy largo, y eso hace increíble que no decaiga casi nunca. Solo en unas dos partes, si mal no recuerdo, se me hizo un poco pesado. Sin embargo, nada que no se pueda resistir. —Lamento hacerte tan desdichado.—No lo sientas. Lamenta más bien haberme hecho feliz. Eso es lo que duele, que me hicieras tan feliz.El inicio es intenso: el autor nos muestra parte de la nube de tragedia e injusticia que va a cubrir el cielo a lo largo de casi toda la novela.Otra cosa que debo resaltar es la inteligencia con la que está armada e hilvanada la historia. Los pilares de la Tierra tiene una gran cantidad de personajes que toman decisiones aparentemente anodinas pero que luego van adquiriendo importancia conforme avanzan las páginas. Son tantas esas acciones que al final, cuando ves todo converger y cuajar de manera perfecta, te dan ganas de pararte y aplaudir. ¿Por qué la gente habría de crear dificultades cuando ya había tantas en el mundo?Es un libro que me hizo pasar por casi todos los estados de ánimo. Un gran abanico de sentimientos que demuestran lo completa que es esta obra. Creo que esta de más decir que lo recomiendo de manera visceral. Directo a mi shelf de favoritos.
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  • Denisse
    February 1, 2016
    3.5 Holy cathedrals, that was a long ride. I really wanted to love this book, for so many reasons I’m not even going to say, but sadly, at several parts I was very detached from the whole thing. And then at some others I was so into the story it almost hurt, especially when Philip or William where on the scene those two made this book for me. It is a long story about injustice, love, religion and ancient architecture, with perfectly constructed characters and an unbelievably perfect set. Maybe 3.5 Holy cathedrals, that was a long ride. I really wanted to love this book, for so many reasons I’m not even going to say, but sadly, at several parts I was very detached from the whole thing. And then at some others I was so into the story it almost hurt, especially when Philip or William where on the scene those two made this book for me. It is a long story about injustice, love, religion and ancient architecture, with perfectly constructed characters and an unbelievably perfect set. Maybe too much for someone who is not really a big Historical Fiction reader, like me, but if you like and know the genre already, The Pillars of the Earth is a must. Bueno, siendo sincera, este fue mucho libro para mi. Lo digo en serio. Es una versión mas moderna de El Jorobado de Notre Dame, pero es igual de difícil la lectura. O lo fue para mi, al menos. Un libro sobre la construcción de una catedral, que se ve siempre amenazada por el gobierno, la guerra, la misma religión y los personajes que hacen que estos tres temas converjan. Muy rica en historia, muy detallada en personajes y muy pesada en trama. Creo que es una historia fantástica, pero que aún no estaba preparada para leer. Aun asi hubo muchas cosas que adore como Philip y toda su odisea para construir la catedral y todo lo relacionado con William porque a pesar de que era un hijo de perra, sus capítulos siempre fueron muy interesantes. Por otro lado, Tom, Ellen y Jack pueden irse mucho a la chingada. Sobre todo a ella no la soporte jamás, que molestia de mujer Dios mío. En realidad todos los personajes están bien construidos, es solo que no todos caen bien!Otra cosa que adore fue todo el detalle técnico sobre las catedrales, algo que me había frustrado mucho en El Jorobado, Ken Follet lo logra de manera increíble, gancha y da detalles sin extenderse demasiado. Acabas interesándote realmente en el tema. Sin lugar a dudas, Los Pilares de la Tierra es una historia con toda una investigación detrás que le da credibilidad ahí donde muchos libros de “historia” se pueden sentir idiotas o mediocres, que deja en dicho la sociedad como realmente era sin caricaturizar nada referente a la religión y mas específicamente, las mujeres. Una verdadera obra de ficción histórica digna de mención. Recomendado para los fanáticos del género o bien para quienes quieran dar el siguiente paso en este tipo de lecturas históricas.
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  • Fiona
    November 12, 2008
    Phew, finished!I put this book of for so long that I'm angry I deprived myself of a good read for so many months. This is a book you can sit down, wrap yourself up in and exclude the rest of the world for a bit.Follett is not a historical author, he usually writes thillers and this reflects in his style of writing. The sentences are short and almost clumsy, which after a while can be grating on your nerves. He has this habit of explaining everything to you as if you couldn't understand a pretty Phew, finished!I put this book of for so long that I'm angry I deprived myself of a good read for so many months. This is a book you can sit down, wrap yourself up in and exclude the rest of the world for a bit.Follett is not a historical author, he usually writes thillers and this reflects in his style of writing. The sentences are short and almost clumsy, which after a while can be grating on your nerves. He has this habit of explaining everything to you as if you couldn't understand a pretty clear concept. Maybe this is the mistake of an author, unfamiliar with writing for this kind of audience, underestimating their ability to actually read and process information at the same time. It is rather annoying but I ended up scanning past those parts. That sounds rather damning, doesn't it? Normally that would have irritated me so much I'd have tossed the book aside. But to me, there is a tipping point in how I enjoy a book. A good story vs. great writing. Well, great writing this is not, but it is a fantastic story with an excellent cast of characters all whom you find yourself either loving (and wanting to bash them around the head at some point too) and hating so much you want to do nothing more then see them burn in a vat of acid.That tipped the scales for me. The writing is at least unpretentious, it is plain and without grace. But Follett doesn't try to be something he is not. He is a great story teller and he manages to captivate the feeling and atmosphere of the medieval era in your imagination without the use of flowery adjectives or the over use of description. The Pillars of the Earth, once you are sucked in you cannot remove yourself very well, it's a bit of a train journey. There are the many criticisms (the constant rocking of the pram where good things happen followed by bad, followed by good and so on...) but in the end I really enjoyed reading this book, every page of it and I can't wait to continue with World Without End even though it is set about 200 years after Pillars.I'm glad to have finished this book though. It wasn't one which had me turning the last page over and being disappointed there was no more on the other side. You feel satisfied when you finally finish it and take your bookmark out, closing the covers for the last time... unless you want to re-read it of course. I think it does have re-readability but I don't think I will any time in the future. Maybe the far future I will want to re-visit this.
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