More Fun In The New World
Sequel to Grammy-nominated bestseller Under the Big Black Sun, continuing the up-close and personal account of the L.A. punk scene, with 50 rare photosPicking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1987, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national -- and often international -- stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of John Doe and Tom DeSavia's west coast punk history portrays the rich cultural diversity of the movement and its characters, the legacy of the scene, how it affected other art forms, and ultimately influenced mainstream pop culture. The book also pays tribute to many of the fallen soldiers of punk rock, the pioneers who left the world much too early but whose influence hasn't faded.As with Under the Big Black Sun, the book features stories of triumph, failure, stardom, addiction, recovery, and loss as told by the people who were influential in the scene, with a cohesive narrative from authors Doe and DeSavia. Along with many returning voices, More Fun in the New World weaves in the perspectives of musicians Henry Rollins, Fishbone, Billy Zoom, Mike Ness, Jane Weidlin, Keith Morris, Dave Alvin, Louis Pérez, Charlotte Caffey, Peter Case, Chip Kinman, Maria McKee, and Jack Grisham, among others. And renowned artist/illustrator Shepard Fairey, filmmaker Allison Anders, actor Tim Robbins, and pro-skater Tony Hawk each contribute chapters on punk's indelible influence on the artistic spirit.In addition to stories of success, the book also offers a cautionary tale of an art movement that directly inspired commercially diverse acts such as Green Day, Rancid, Red Hot Chili Peppers, Wilco, and Neko Case. Readers will find themselves rooting for the purists of punk juxtaposed with the MTV-dominating rock superstars of the time who flaunted a "born to do this, it couldn't be easier" attitude that continued to fuel the flames of new music. More Fun in the New World follows the progression of the first decade of L.A. punk, its conclusion, and its cultural rebirth.

More Fun In The New World Details

TitleMore Fun In The New World
Author
LanguageEnglish
ReleaseJun 4th, 2019
PublisherDa Capo Press/Perseus Books, LLC
ISBN-139780306922121
Rating
GenreMusic, Audiobook, Nonfiction, History, Punk, Rock N Roll

More Fun In The New World Review

  • Joseph Spuckler
    January 1, 1970
    I moved, or more appropriately had military orders, to Camp Pendleton in 1982. This southern California Marine Corps base was my chance to experience the world whereThe Doors had lived and played in. Instead Oceanside, California and Los Angles were in full punk swing, and The Doors were a cultural has been. Safety pins, giant mohawks, and kids trading patches were the in thing. Weekend mornings one would find plenty of passed out punks on the beaches since Southern California lacked the squatte I moved, or more appropriately had military orders, to Camp Pendleton in 1982. This southern California Marine Corps base was my chance to experience the world whereThe Doors had lived and played in. Instead Oceanside, California and Los Angles were in full punk swing, and The Doors were a cultural has been. Safety pins, giant mohawks, and kids trading patches were the in thing. Weekend mornings one would find plenty of passed out punks on the beaches since Southern California lacked the squatter buildings of the UK and the cheap grungy apartments of New York City. My experience with punk before going west was from the New York area that made it to Cleveland radio and pulp rock magazines-- Lou Reed, Patti Smith, The New York Dolls, The Ramones, and The Dead Boys.West Coast Punk was something entirely different from the New York scene, and I will admit it took me a long time to recognize it as something other than a distraction to rock music (with the notable exception of The Dead Kennedys). John Doe of "X" edits a history of the LA Punk Music using musicians and players of the scene. Some people bands are still active like Henry Rollins and Social Distortion. Others were the commercial high point of the movement like the GoGos. Most, however, were people that moved from band to band or simply bands that had their moments and passed on but leaving their mark.  The use of first-hand accounts recreate the era better than a history and include that personal feeling that is often lost in editing.  LA Punk is often overshadowed by the rise of 80s metal and good times rock of bands like Van Halen.  The decadence of the 80s overtook the anti-establishment of the punk movement.  Punk, too, was more interested in the message than being commercially viable.  The economy silenced the message and viability limited radio exposure.  It did create a ruckus in its run.John Doe and Tom DeSavia create the first-hand history on par with Leggs McNeil's Please Kill Me: The Uncensored Oral History of Punk.  Very well done. 
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  • Brenda Perlin
    January 1, 1970
    More Fun In The New World “Seeds were thrown, for sure. What was essentially hiding in the shadows moved from a whisper to a scream.”Tom DeSavia’s opening to More Fun In The New World, “We’re Having Much More Fun” is brilliant. And so is his voice on the audio book. I’d actually been reading the book while listening to the audiobook version simultaneously. Full impact!“Mosh Pit Ubuists” by Tim Robbins is such a treat as a reader to get a little of his past history in his story and to learn how h More Fun In The New World “Seeds were thrown, for sure. What was essentially hiding in the shadows moved from a whisper to a scream.”Tom DeSavia’s opening to More Fun In The New World, “We’re Having Much More Fun” is brilliant. And so is his voice on the audio book. I’d actually been reading the book while listening to the audiobook version simultaneously. Full impact!“Mosh Pit Ubuists” by Tim Robbins is such a treat as a reader to get a little of his past history in his story and to learn how he was influenced by punk back in the day. Enjoyable reading!“It Sounds Too Much Like The Blasters: 1982-1985” by Dave Alvin of The Blasters is a keen look at their early history and experience with this music business, namely Warner Bros. Records. “Sliver Of Glass” by Jane Wiedlin deserves a holy cow! She did it again. Wowed me, she did. Wiedlin is brutally honest with her storytelling and doesn’t hold back. Gives us the ‘fly on the wall insight’ to what it was like to be her in a time that she should have been having the time of her life. I don’t know her but I love her. My heart can’t help feeling for her. I adore her candidness and her ability to share things that are so raw, so honest. So unusual. I’d hug her, if I could. “Under The Marquee” by W. T. Morgan takes us back to his early experience with punk and the bands that define the times. Especially X. He describes the making of his movie, X - The Unheard Music Documentary in such a beautifully heartfelt way. The passion comes right through. Skilled storytelling. Something precious about the memories he shares with us readers. And the film! Thank you,” I would say to him. In “The New World” by John Doe I couldn’t wait to rip through. Wasn’t sure if I wanted to read it on paper first or listen to the audiobook. I knew I would be in for something desirable. This is a bittersweet tale, as he writes about the crisis’s that were happening at the time in the Midwest and beyond. Workers were losing their jobs. I love how he describes their songwriting, “We took the opportunities we were offered and toured and wrote songs as if our life depended on it—because it did.” There is so much heart and soul to the telling of this story. Eloquent, direct and at the same time good reading.“Another State Of Mind” by Mike Ness and Tom DeSavia is so great because it reminds us old timers what it was like in the early days of discovering punk and the LA scene. I remember Mike from those days and have watched Social Distortion evolve. Like Bad Religion, I can say I remember them before they were famous. Great story!I kind of got lost into Keith Morris and Jim Ruland’s “Hollywood Shuffle”. An easy read that made me laugh. Well, there were sad moments but as an old punk it was fun to read about the places I’d been with many of the people I’d known. The Circle Jerks were one of us and they were always playing, so it seemed. When I think of them and bands like X and Adolescents my teenage years float back to me. I’m glad Keith is still around to tell his story.“Deliverance” by Charlotte Caffey parallels Jane Wiedlin’s account of being a Go Go. These stories inspired me to look at some of their live performances. Searching their faces for signs of trouble. At the time, they were America’s sweethearts! They appeared squeaky clean though I did see them live in their punk days. The way I preferred them because they were authentic then, before they lost themselves to fame.“The Ongoing Cost Of A Low-Grade Immortality” by Jack Grisham is a WOW! No surprise. Nevertheless, a WOW! Dark. Dirty. Disgusting. Poetic. Sick. Brilliant. The man is damn talented. He’s got a gift. And that story is sheer genius! “Princess Of Hollywood” by Pleasant Gehman is a who's who and where's where to the Hollywood scene in the early to late eighties. An edgy look back to the days of what was dubbed Disgraceland. “Los Lobos: Los Rockstars Accidentales” by Louie Pérez shares the early beginnings of Los Lobos (confusing everyone) and the passion for the music. “There we were, part of a music community whose purpose was to free music from the kidnapping by mainstream rock. It was unabashed, liberating, and obnoxious. It was more about spirit than how good you played. I bet that some bands were formed in the van on the way to the show.”Beautiful story. I loved John Doe’s sweet (bittersweet) little story about Top Jimmy. “Top Jimmy: In The Mud And The Blood And The Beer!” Precious.“Our Wolf” by Chris Morris is as good as I would expect! I love the history he shares and the commentary. His writing is smooth like an 50s newspaper reporter. Just give me the facts! In Chris’ stories you can be a fly on the wall. He takes you there. Right there!"Grand Theft Paper: A Conversation With Billy Zoom” is a adorable! Interesting about Top Jimmy and the trouble that followed him. It’s nice to hear Zoom share personal bits like this. I can feel the admiration both Doe and Zoom has for this guy. Touching if not laughable. At times, of course.“With punk in my life, the preps, jocks, nerds, etc. seemed like mere cretins in the rearview rather than my torturers or captors.”“Prep School Confidential: Finding My Voice” by Shepherd Fairey, a force to be reckoned with. So interesting how punk inspired his artwork and the emotion he has for the music. He is able to detail what led him to where he is now. Very inspiring!“You Say You Want An Evolution” by Tom DeSavia is passion filled story and talks about the evolution of music and how it shaped his life. I love these coming-of-age stories that are enthusiastic and entertaining.“This World Is Not My Home, I’m Just Passing Through” by Maria McKee and Tom DeSavia is a story that should be made into a memoir. Maria McKee’s biography would be a good read. This story flowed like it was supposed to be on its own. Really nice. “The Paisley Underground, Americana & Me” by Sid Griffin where not everything good happened in the LA punk scene. Shares the early days of his band, Long Ryders. And the influence they would eventually have over Americana and alt-country music. “None of the bands were quite ready. Punk hadn’t really happened in L.A. yet—it was like the hour before dawn.”“Ten Short Years On The Sunset Strip” by Peter Case is a slick story about his rise to fame in the Plimsouls and I finding his voice.“The Kinman Brothers: American Music” by Tom DeSavia is a dedication to the musical contributions of Chip and Tony Kinman. RIP Tony Kinman. It’s difficult not to get emotional reading Chip Kinman’s, One Thousand Nights. His story just seems to fall into place.“Skate Punks” by Tony Hawk is about his relationship with punk rock and skateboarding. Loved this story! “I was lucky that my parents didn’t mind if my new skater friends had mohawks or piercings, as long as they were polite. And they were.”"Free Radicals: A Conversation With Fishbone” by John Doe is an ode to these magical musicians and their music. Such an uplifting interview. Beautiful.“Come On, All You Cowboys . . . Don’t You Wanna Go?” By Annette Zilinskas, bass player for The Bangles and Blood On The Saddle. Another Valley Girl, like myself. A bit of a coming-of-age story. Her musical coming-of-age. “Ain’t Love Grand” by John Doe kind of made me sad. Made me see a sliver of what it must be like to have the pressure of being in a band. A successful band, at that. As an outsider looking in, not sure how John and Exene managed to stay together as long as they did, especially through all the stress of the ‘business’ and the 24/7 lifestyle. That had to take a toll. Thanking Doe for sharing his soul a bit with us.Terry Graham writes a clever little story about the ending of The Bags and the changes that took place after The Decline Of Western Civilization. In “Shot Glass Full Of Luck” the author describes his rock ‘n’ roll adventures with The Gun Club. Or misadventures?! Very clever and stylish. “Hardcore To Spoken Word: A Conversation With Henry Rollins” by John Doe is relatable if you were a part of the early punk scene in Los Angeles. When things started changing,  the impact was swift. It was nice to learn more about Rollins and understand his situation, being part of Black Flag. Very insightful.“Everything Became Possible” by Allison Anders is bliss! It’s her passion and ambition that drove her. Her success is not by accident. She was a motivated person with an authentic voice. She had gumption and was interested in more than money. This woman is a trailblazer and paved the way for many women living in a man’s world. Big respect. Loved how she detailed how she made the movies and the chances she took. Fallen Soldiers by John Doe is very well worded. Genuine. I read “More Fun In The New World” with great gusto as it was compelling all the way through. It’s not just about music but life. Honest, bold, brave. There’s depth and vulnerability. The writers stepped up and wrote stunning narratives that were both candid and engaging. The audiobook is an extra bonus. Everyone did a fantastic job. And a big high five to Krissy Teegerstrom who played a big part in making this a beautiful piece of history. Impressive.
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  • Quentin Montemayor
    January 1, 1970
    *audiobook review* As with anything beginnings are always better than ends. That extends to the L.A. punk scene. What’s interesting about this book is that it really documents the progression of where things went. Sometimes it’s really bizarre to see the connection with bands like Lone Justice. Jack Grisham’s chapter was poignant and sad. Rollins was great as always. Stories seems to just tumble out of him end over end. While I think the last book is a bit more fun, this book is really optimisti *audiobook review* As with anything beginnings are always better than ends. That extends to the L.A. punk scene. What’s interesting about this book is that it really documents the progression of where things went. Sometimes it’s really bizarre to see the connection with bands like Lone Justice. Jack Grisham’s chapter was poignant and sad. Rollins was great as always. Stories seems to just tumble out of him end over end. While I think the last book is a bit more fun, this book is really optimistic and that’s something we need right now. John Doe’s description of the 80s is eerily similar to our current time period, which seems obvious, but is strange to hear. The performances on the audiobook are amazing as always. Definitely the way to go if you want to read this book.
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  • Jay Gabler
    January 1, 1970
    This was never going to be a simple story; and the authors aren't looking to simplify it. As the '70s bled into the '80s, life for the stars of Penelope Spheeris's era-defining 1981 documentary The Decline of Western Civilization — bands like X, Black Flag, and Circle Jerks — was a mix of agony and ecstasy. They saw their L.A. scene evolve and transform, and one way to tell the story is that "hair metal won the L.A. Sunset Strip war."I reviewed More Fun in the New World for The Current.
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  • Jim
    January 1, 1970
    A continuation of 2016’s Under the Big Black Sun, More Fun in the New World follows a similar structure as its predecessor. This time around, the focus is on what happened to the scene from 82-87, who the important bands were (and how they succeeded or failed) and the influence they had on other musicians in multiple genres, film, writing and even sports. More Fun in the New World does an excellent job connecting the themes laid out in the first book in explaining the importance and legacy and r A continuation of 2016’s Under the Big Black Sun, More Fun in the New World follows a similar structure as its predecessor. This time around, the focus is on what happened to the scene from 82-87, who the important bands were (and how they succeeded or failed) and the influence they had on other musicians in multiple genres, film, writing and even sports. More Fun in the New World does an excellent job connecting the themes laid out in the first book in explaining the importance and legacy and reach of the Los Angeles music scene.
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  • Joseph Norton
    January 1, 1970
    Exceptional! I cannot say enough about this book. Just like its predecessor 'Under the Big Black Sun', an incredibly well done, informative and thoroughly entertaining read!
  • Steve
    January 1, 1970
    I recommend this to anyone who likes west coast punk/roots music
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